► Jonathan Talbot (JT) born in New York City to artist Helen Talbot and her husband Irwin Panken.

► Family lives at #1 Grove Street on Sheridan Square in New York's Greenwich Village neighborhood.

► JT and family move to a farm owned by mother's family in Patterson, NY, population: 1400 (not to be confused with the better-known Paterson, NJ).

► JT's childhood artistic efforts are supported by his mother, an artist who had a degree in art from Skidmore College, had studied drawing and painting in Munich and Frankfort in the 1920s, and had exhibited briefly in New York City in the 1930s. She encourages JT to talk about his drawings and paintings and often inscribes his abundant youthful remarks on the backs of his works.

► JT begins life-long friendship with James and Hugh Weisman, children of Susan Stix Weisman, one of his mother's college classmates.

► JT creates earliest preserved collages and drawings.
► JT hears Pete Seeger perform at the Manumit School in Pawling, NY, just 2 miles away from his home. JT expresses an interest in learning how to play music.

► JT's paternal grandfather makes him a single-string "guitar" from a cigar box, a broom handle, some string, and wood scraps.

► JT's sister Elizabeth is born. Family moves to rented home in Peekskill, NY so that JT can attend Hessian Hills School, a private "experimental" school in nearby Croton-on-Hudson, NY. Croton is, at this time, home to a liberal community which includes many intellectuals and artists. JT's summers continue to be spent at the farm in Patterson
► JT gets first "store-bought" guitar.

► JT's portrait is painted by artist Arthur Lidov. The portrait, with a timely background, is used as the cover illustration for the December 1947 issue of The American Mercury. (Click on Image for enlarged view...)
► JT meets sculptor Jacques Lipchitz who has studio in nearby Hastings-on-Hudson. Also meets Croton residents painter-lithographer William "Bill" Gropper and painter-lithographer George Biddle.

► JT acquires first "quality" guitar and starts to play and sing folk music.

► The home in Patterson, NY is sold. JT and family move to rental in Croton-on-Hudson, NY in order to be closer to Hessian Hills School (see 1946 above.).

► JT & family spends winters in Croton-on-Hudson and summers in village of Menemsha on the island of Martha's Vineyard. The beauty of this island draws many artists to its shores. JT meets painter/muralist/lithographer Thomas Hart Benton and lyricist "Yip" Harburg. Plays guitar at local square dances with banjo player Bill Keith and others. Becomes friendly with actor-to-be Peter Coyote.

► Hessian Hills School starts to close and JT moves to the local Junior High School.. JT developes an interest in amateur radio, learns morse code, builds a transmitter and gets an amateur radio license. He makes plans to study mathematics and physics.

► Through his friend Andy Silard, JT meets Andrew's uncle, Leo Szilard. Leo and JT have some some seminal (for JT) conversations about science, humanism, and ethics with the focus being on how difficult it is for scientists to predict and/or control how society at large will use their discoveries. As a result, JT reconsiders his focus on the sciences.

► JT attends Oakwood Friends School, a Quaker boarding school in Poughkeepsie NY. Oakwood is the oldest co-educational independent secondary school in the United States. In his spare time JT learns binary mathematics, builds a rudimentary digital computer, learns to play flamenco guitar, and continues to explore the tensions that exist between scientific research and humanism. JT graduates from Oakwood School in 1957.

► At the urging of his family, JT attends Brandeis University. Leaves at the end of one year (spring of 1958) to nurse his ailing mother who dies in November of 1958.

► In January of 1959, JT moves to New York City.

► Using the stage-name "Juan Moreno", JT works as a flamenco guitar soloist and accompanist for Spanish dance companies. Lives in both Spain and the US. Performs widely including at Maple Leaf Gardens in Toronto, Canada and on Radio Nacional d'España in Barcelona. Plays in numerous Greenwich Village venues including The Village Gate (where JT shares the dressing room withLightining Hopkins), Folk City (where JT shares the bill with John Lee Hooker), and the Gaslight (where JT becomes friends with ). JT also serves, of and on, as master of ceremonies at the Cafe Wha? where he becomes friends with Bob Dylan and Richie Havens. (Photo: JT, Barcelona, Spain, 1960)

► JT returns to US. Studies briefly at the New School for Social Research in New York. Resumes music career, returning to the folk music which he had heard as a child and also exploring rock and classical music.
► On August 28th,1963, JT rides to Washington, DC with Dorothy Day and other members of the Catholic Worker Movement to join 250,000 other patriotic Americans at the The March on Washington for Jobs and Freedom. There JT hears the Reverend Martin Luther King, Jr. give his "I Have a Dream" speech at the Lincoln Memorial.

► While on tour in Florida, JT buys Norton motorcycle. Rides north to Boston, then to New York, and then cross-country to Los Angeles, California. Fails to find meaningful work in California and sells motorcycle. Hitch-hikes from Los Angeles to Tulsa, Oklahoma and then takes bus the rest of the way to New York. (Photo: JT on Norton 600 twin, Fort Lauderdale, Florida, 1964

► JT meets wife-to-be, Marsha Goldstein. Travels to Thule, Greenland as bass player for a rock group.

► JT performs as singer-songwriter in clubs in New York and Philadelphia. Forms "Jonathan Talbot Trio" and opens for Jackson Browne and Niko and the Velvet Underground at Andy Warhol's "The Dom" in the East Village. Plays bass for folk-rock group Webster's New Word which records for Columbia Records. Organizes rock group The Gurus for record producer Ron Haffkine and writes many songs for the group including one, "Blue Snow Night" which makes it to the "top 40" charts. Also writes other songs which are published in folk music magazines and in The Vietnam War Songbook, a book of anti-war protest songs edited by Barbara Dane and Irwin Silber

► JT forms The New York Electric String Ensemble which he directs and in which he plays bass. Produces group's first album for ESP-DISK. The New York Electric String Ensemble opens for Judy Garland, Count Basie, and Jackie Wilson at JFK Stadium in Philadelphia. Opens for the Animals at Fillmore East. Group also performs with Buffalo Philharmonic Orchestra and at Carnegie Hall in New York.(Photo: The New York Electric String Ensemble on stage. (l to r) Lewis Bottomley, Pete Smith, JT)

► JT continues performing as leader of The New York Electric String Ensemble. Produces group's second album with colleague Jerry Peloquin, this time for Columbia Records.

► JT and Marsha marry and JT decides to leave music business. Moves to San Francisco, CA.

► JT studies printmaking at San Francisco Academy of Art. Learns much from fellow student Howard Munson who later becomes master printer for Bowles-Hopkins. Begins visual arts career and starts to sell etchings to a commercial gallery near the school even before finishing the printmaking class. Also sells works on the streets near the San Francisco wharf.

► JT's works shown at San Francisco Artists Cooperative, San Francisco, CA and included in the Crow Zellerback Exhibition and the 25th Annual San Francisco Art Commission Exhibition.

► JT and wife Marsha move to Los Angeles, CA and then to Morristown, NJ, then to Montville, NJ and then South Orange, NJ.
► JT's works are included in the Newark Public Library Statewide Exhibition (Newark, NJ).
► JT has first solo exhibition at the Morristown Library in Morristown, NJ and an additional solo exhibition at the Hilton Memorial Library in Maplewood, NJ.
► JT sets up a printmaking studio at the Morris County Art Association in Morristown and teaches printmaking there.
► JT Produces & hosts "Morris County Art Scene" television program on Morris Cablevision
► JT establishes a relationship with David Gary Ltd., a gallery in Millburn, NJ. JT has numerous solo exhibitions there until relationship ends in 1992.
► JT becomes friendly with artists Al Barker and Gerald Lubeck whom he meets at an outdoor art exhibition in Kearny, NJ. JT teaches them etching in exchange for painting instruction (oil painting instruction from Lubeck and watercolor instruction from Barker). The friendship endures to this day. (Photo: (l to r) Al Barker, Jerry Lubeck, & JT, Long Beach, NJ, 1974.)

► Solo exhibition at Scranton Memorial Library in Madison, CT.
► Solo exhibition at Fairleigh Dickinson University in Madison, NJ.
► JT demonstrates etching at Morris Museum of Arts and Sciences in Morristown, NJ.
► The Free Library of Philadelphia acquires JT's etching with aquatint "Seals.".
► JT participates in group exhibition at Art Center of the Oranges, East Orange, NJ.

► JT and Marsha's daughter Loren Storm Naomi Talbot is born.

► JT, Marsha, and Loren move to newly-purchased home in South Auburn, Pennsylvania, a small community with more cows than people in the rural Pennsylvania region known as the "Endless Mountains." Property includes small farmhouse and three story barn. JT converts part of the barn into a studio.

► Solo exhibition at Drew University in Madison, NJ.
► Solo exhibition at the Three Tenses Gallery in Clark's Summit, PA.
► Group exhibition at William Ris Galleries, Harrisburg, PA
► JT's work included in Contemporary American Graphics, 1974-75 (traveling exhibition).

► JT's work included in group exhibitions at Associated American Artists in New York
► Associated American Artists publishes edition of JT's etching "Pig."
► William S. Lieberman selects "Pig" to be included in "Museum Managerie" exhibition at the Museum of Modern Art in New York.
► JT's work included in Central New York Art Open (juried exhibition), Syracuse, NY

► JT and family sell home in Pennsylvania and purchase home with farm buildings in Warwick, NY. Because the main barn has burned down prior to purchase, JT converts former tractor shed into studio.

► Betty Parsons and Tom Armstrong select JT as award recipient at the Atlanta Festival of the Arts in Atlanta, GA.
► JT commissioned by Yachting Magazine to produce a series of etchings of Tall Ships.
► JT's etchings sold by Mystic Seaport Museum Store, Apple Arts (Englishtown, NJ) and numerous other dealers and galleries.
► JT show "Recent Etchings" at the Somerset Art Association in Bernardsville, NJ

► JT and Marsha's son Garret Jordan Nathaniel Talbot born.

► JT's etching "Pig" appears on the cover of the Cornell University Adminstrative Science Quarterly.

► JT's etching with aquatint "Etching: Noun, Nominative and Participial" is included in a juried national exhibition which travels from the Hunterdon Art Center to the Plainfield Library to the Morris Museum (all in New Jersey).
► The Newark Public Library acquires JT's etching "Emigrant Eye."

► JT's works subject of solo exhibition at Ellen Harris Gallery, Provincetown, MA

► JT has second solo exhibition at Ellen Harris Gallery, Provincetown, MA

► JT's oil on panel "Reflections" is selected for inclusion in the National Academy's 156th Annual Exhibition in New York.
► Andre Emmerich selects JT's oil on panel "Waterfront Buildings - Troy, NY" to receive First Albany Corporation Award in the Mohawk Hudson Regional Art Exhibition at Albany Institute of History and Art.
► Selected works by JT are included in an invitational exhibition at the Schenectady Museum.
► JT' etching "Chicken Little" (which deals with the malfunction of the Three Mile Island nuclear plant in Pennsylvania) is exhibited at the 5th Annual Eastern States Print Exhibition in Charlotte, NC.
► JT's etching with aquatint "Night Watchman" is included in a National Juried Exhibition sponsored by Columbia-Greene Community College at Terrance Gallery in Palenville, NY

► JT's painting "Waterfront Buildings - Troy, NY" is included in the 157th Annual Exhibition of the National Academy and is purchased by the Ranger Fund which places it in the Smith College Museum.
► JT's etching "Chicken Little" (see above) is exhibited in the National Print Exhibition at Trenton State College, Trenton, NJ, and at the Boston Printmaker's 34th National Exhibition at the DeCordova Museum in Lincoln, MA.
► A reproduction of "Chicken Little" appears in the Art Now Gallery Guide article on the DeCordova exhibition.

► Ivan Karp selects JT's miniature collage "Temple" for inclusion in Small Work Exhibition at New York University. "Temple" is purchased by noted collector Henry Fiewel. "Temple" is subsequently exhibited at Brainerd Art Gallery at SUNY Potsdam.
► A new and larger Talbot collage/construction also called "Temple" is included in the Art of Northeast USA exhibit at the Silvermine Guild in New Canaan, CT and is honored with the C. R. Gibson Company Award.
► Art dealer Max Weitzenhoffer agrees to exhibit JT's collages in his prestigious Gimpel & Weitzenhoffer Gallery at 79th Street and Madison Avenue in New York. Weitzenhoffer, an elegantly groomed style-conscious man finds it amusing that JT, "a large man with 'rough edges'", makes such delicate works of art.
► JT's oil painting on panel "Reflections 2" is included in the 41st Annual Audubon Artists annual exhibition at the National Arts Club in New York.

► JT's first solo museum show, The Collages of Jonathan Talbot, is held at the Everhart Museum in Scranton, PA in May of 1984.
► The Byer Museum of the Arts in Evanston, IL exhibits "The World of Jonathan Talbot" (solo exhibition) in September of 1984.

► Two collages by JT, "Freighter" and "View from the Customs House" are selected by Ned Rifkin of the Corcoran Gallery of Art for inclusion in Recent American Works on Paper in Charlottesville, VA, Arlington, VA and traveling under the auspices of the Smithsonian Institution.

► JT's first one-person New York exhibition is held at Gimpel & Weitzenhoffer Gallery at 57th St. and Fifth Avenue in Manhattan. The exhibition is reviewed in both Art News and Art World. (Photo: JT with Gimpel and Weitzenhoffer Gallery Directors Bill Maynes and Joseph Rickards at opening of JT's solo exhibition, 1986.)
► JT becomes friendly with artist Clarence Carter, who also shows at Gimpel & Weitzenhoffer. Clarence is former head of WPA Arts Project for Northern Ohio during the 1930s and has had a long a distinguished career in the arts.
► JT and Andrew Stasik (former Director of Pratt Graphics Center in New York) co-chair the Pratt/Silvermine International Print Exhibition juried by William Lieberman
► "Engine Room," a collage-construction by JT is included in Surrealism After Surrealism at The Arkansas Art Center, Little Rock, AK

► JT's etching "Silver Blaze" appears in Smithsonian Magazine's December, 1986 issue.
► JT's work is included in "Art in the Box: Homage to Joseph Cornell" at the Silvermine Guild Galleries in New Canaan, CT.

► JT's second one-person New York exhibition is held at Gimpel & Weitzenhoffer Gallery'S new location at 57th St. and Fifth Avenue in Manhattan. (Photo: JT and Clarence Carter at 1987 opening of JT's show.)
► JT's work is included in Spectrum 1987 at The Hunter Museum in Chattanooga, TN
► JT's work included in The Printed Image at The Hudson River Museum in Yonkers, NY.
► JT's etching "Silver Blaze" appears in Smithsonian Magazine's December, 1986 issue.

► Two collages by JT, "Stream of Consciouness" and "An Intellectual Approach," are included in Recent American Works on Paper '88 at the Second Street Gallery in Charlottesville, VA and the Palmer Museum of Art at Pennsylvania State University.
► JT's collage/construction "Malthusian Perspectometer" is included in an exhibition titled "Interactions: Science and Art" at the Squibb Gallery in Princeton, NJ.
► JT begin's studies with Jean Houston and Peggy Rubin.

► Works by JT included in group exhibit at Helen Fuscass' Connecticut Gallery in Marlborough, CT.
► Works by JT included in group exhibit at the John Szoke Gallery in New York.
► JT curates Connecticut Collage, an exhibition exploring collages created by Connecticut artists held at Art at 100 Pearl in Hartford, CT
► JT serves on Artist Advisory Committee for Beyond the Big Apple, a conference sponsored by the Arts Councils of Orange and Rockland Counties, NY
► JT's 5-plate color etching "Anima Captiva" is included in the 2nd National Small Print Exhibition", University of Wisconsin-Parkside, Kenosha, WI; in the 40th North American Print Exhibition sponsored by The Boston Printmakers at the Brockton Museum of Art; and in the Pacific States National Print Biennial at the University of Hawaii.
► Collage by JT is included in The Figure in American Art Since Mid-Century curated by Andrew Stasik at the Silvermine Gallery/Metro Center in Stamford, CT
► JT's work included in the U.S. Art in Embassies program under the auspices of the U.S. Department of State.

► JT's third one-person New York exhibition is held at Gimpel & Weitzenhoffer Gallery's Soho location. (Photo: JT with Jan Vladimir ("Wlodek") Zakrsewski and Collector John Lee (center), 1990.).
► JT becomes friendly with Polish artist Jan Vladimir Zakrzewski who has moved to Warwick.
► At the invitation of gallery director Sophia Gevas, JT's work is subject of a solo exhibition entitled Research and Development at The Gallery of Contemporary Art at Sacred Heart University in Bridgeport, CT. .
► JT's collage-painting "Point of Departure," (the largest of a number of Talbot works bearing this title) is included in The Humanist Icon (curated by Lowell Nesbitt) at The Bayly Art Museum (now the Fralin Museum of Art) at the University of Virginia in Charlottesville, VA and at The New York Academy of Art in New York, NY, and The Ulrich Museum of Art in Wichita, KS.

► JT joins Lois Lane, Robert Kushner, Daniel Mack, and Jan Vladimir Zakrzewski in a group exhibiton called Five Artists Living and Working in Warwick, NY.

► JT's fourth one-person New York exhibition is held at Gimpel & Weitzenhoffer Gallery in Soho..
► JT establishes relationship with Gay Head Gallery on Martha's Vineyard.
► The Newark Museum (Newark, NJ) acquires JT's etching "Railroad Bridge - Newark, NJ".

► "Jonathan Talbot Selected Works 1983 - 1993" is the title of a solo exhibition of JT's work at Donskoj & Company in Kingston, NY. The exhibition is reviewed by Raymond J. Steiner in Art Times.
► JT's work included in Spectrum 1993 at the Hunter Museum of Art in Chattanooga, TN.

► JT's work is shown in Works on Paper at the 79th Street Armory in New York by Rickards/Stellings Fine Art.

► JT's work is included in In This Place and Time at the College Art Gallery (now the Dorsky Museum) at the State University of New York, in New Paltz, NY.
► Andrew Stasik (see 1986 above), former head of Pratt Graphics Center in New York, invites JT to lead a collage workshop at the Connecticut Graphic Arts Center in Norwalk, CT. This turns out to be the first of many workshops led by JT throughout the U.S., Canada, and Europe.

► The Museum Okregowe w Toruniu in Torun, Poland acquires JT's multi-plate etching with aquatint "Anima Captiva."
► JT serves as a mentor artist for the Newark Arts Council's Celebrity Art Auction to benefit the new New Jersey Performing Arts Center.

► JT's fifth solo New York City exhibition, "Collages from the Flamenco Series," is held at the Joseph Rickards Gallery.
► The first edition of JT's book "Collage: A New Approach" is published (First printing: June 1998).

► The Maitland Art Center in Maitland, FL acquires JT's collage "Whirligig".

► Jonathan Talbot: Collage Paintings 1980-2000, solo exhibit at The Housatonic Museum in Bridgeport, CT.
► The Housatonic Museum acquires JT's collage "Bedtime Story."
► The Montclair Museum of Art, Montclair, NJ acquires JT's collage "Radiometer."
► The Longview Museum of Art, Longview, TX acquires JT's collage "Longview Patrin."

► JT participates in Florence Biennial in Florence, Italy. Receives Medici Medal for Career Achievement.
► JT's work shown in Paris and Sergines, France in an exhibition sponsored by Musée Artcolle.
► Fifth edition of Collage: A New Approach by JT is published (First printing: March 2001).
► JT participates in National Security Seminar at U.S. Army War College in Carlisle, PA. (June, 2001).
► JT creates "Library Book" a 6 1/2 x 9 foot collage celebrating the centennial of the Thrall MIddletown Library in Middletown, NY.
► JT curates Paste and Pixels exhibition at Core Gallery in New Paltz, NY.

► "Jonathan Talbot: The Artist as an Explorer," Solo Exhibition at the Coos Art Museum, Coos Bay, Oregon.
► JT's work "Neosuprematist Patrin No 2" is included in an International Collage Exhibition at Kansas State University's Kemper Gallery in Manhattan, KS.
► The Beach Museum of Art in Manhattan, KS acquires "Neosuprematist Patrin No 2.".
► JT's solo exhibition titled "100 Patrin" at Broadfoot & Broadfoot Gallery, Boonton, NJ.
► JT's works subject of solo exhibition at Davis and Cline Gallery, Ashland, Oregon.

► Salon International du Collage Contemporain, Paris, France (International Collage Exhibit).
► Assemblage 100, Stratford, New Zealand (International Assemblage Exhibition).

► Solo Exhibition titled "Large Patrin" at the University of South Carolina, Sumter, SC.
► Solo Exhibition titled "Jonathan Talbot: The Artist as an Explorer," at Quincy University. Quincy, IL .
► International Traveling Collage Exhibition: "Le Voyage Imaginaire (The Imaginary Voyage)" at Centre d'Art L'Imagier, Gantineau, Quebec, Canada / The Poughkeepsie Art Museum, Poughkeepsie, NY USA / Expressions Art Center, Upper Hutt, New Zealand.

► "Le Voyage Imaginaire" Collage Exhibition exhibition (see 2004) travels to Germany and Bulgaria.
► Collage: A New Approach is translated into Spanish.
► JT leads workshop at El Jardinico Art Center in Caravaca de la Cruz, Murcia, Spain
► JT supplies artwork for "The Portrait", a short film by Spanish Director José Carrasco.
► The Artist's Marketing & Action Plan Workbook by JT and Geoffrey Howard is published.
► JT is keynote speaker at the Arts Education Association of Indiana's Annual Convention.
► JT's work sells at Sotheby's Auction House.

► JT is keynote speaker at the Texas Arts Education Association's Annual Convention.
► JT juries National Collage Society's Annual Exhibition.
► "Le Voyage Imaginaire" exhibition travels to France.

► JT receives Distinguished Alumni Award from Oakwood Friends School. (Photo: JT with Family at Oakwood Friends School in 2007.)
► JT's work shown at Broadfoot and Broadfoot Gallery in New York, NY.

► JT travels to Brussels, Belgium for opening of "Art Collage" exhibition. (Photo: JT in Brussels with Georges Verzin, Echevin de la Culture et de l'Instruction Publique of Schaerbeek, in front of one of Talbot's works.)
► JT's "The Bachelors Series" exhibited for the first time.
► The Durst Organization hosts a NYC exhibition of "The Patrin Series."
► Eleven Talbot works included in "Collage Logic" exhibition at the Ann Street Gallery in Newburgh, NY.

► JT's painting "Soundings: Bermuda" included in "We Are Sailing" exhibition at the Masterworks Museum of Bermuda Art
► Works by JT included in "Collage" exhibition at Galerie Leonardo in Paris, France.

► Ten works from "The Bachelors Series" are included in "With or Without Permission: Appropriation, Assemblage, and Collage" at The Philoctetes Center for the Multidisciplinary Study of Imagination. New York, NY.
► Thirty-Nine Small Patrin by JT are included in "InSPIRATion" at The American University Museum in Washington, DC..
► JT's works areincluded in "L'art du collage dans tous ses états" at The Loft Gallery in Paris.
► Ten of JT's works are included in the book "Masters: Collage" by Randall Plowman (published June, 2010).
► JT spends two weeks at Colorado Mesa University in Grand Junction, Colorado as part of the University's visiting artist program..
► JT & Robin Colodzin launch The Arts Map project, an interactive worldwide map of arts studios, at www.TheArtsMap.com. The project rapidly grows to include more than nine thousand artists in one hundred and seven countries.

► Publication of "Acrylic Image Transfer: A Handbook for Artists," by JT with Jessica Lawrence.
► JT and Jessica Lawrence co-curate "Homage to Kurt Seligmann" exhibition at the Seligmann Center in Sugarloaf, NY.

► Publication of "The Collages of Jonathan Talbot" by professor Deborah K. Snider with an additional essay by professor Andrew Marvick.
► JT has solo exhibition titled "Jonathan Talbot" at The 155 Project, New York, NY.
► JT & Robin Colodzin terminate The Arts Map project.

► JT, Deborah K. Snider, and Sue Cotter curate an exhibition titled "ABC: Assemblage, Book Arts & Collage" at the Braithwaite Gallery, Southern Utah University, Cedar City, UT.

► JT has solo exhibition, "Collage Paintings by Jonathan Talbot" at The Seligmann Center at the Orange County Citizens Foundation, Sugarloaf, NY.
► JT curates "Identity and Anonymity," an invitational exhibition at The Seligmann Center at the Orange County Citizens Foundation in Chester, NY..
► Publication of Identity & Anonymity- An Artful Anthology edited by JT, Leslie Fandrich and Professor Steven Specht.
JT curates "The Artist Who Never Was - The Life and Work of Vernon Hart" at The Seligmann Center at the Orange County Citizens Foundation in Chester, NY.
► In November and December of 2016, in response to the results of the 2016 presidential election, JT creates "Spin & Win", an interactive work which was shown, in 2016 and 2017, in Washington DC, Brattleboro, VT, Poughleepsie, NY, and other venues. A short video of "Spin & Win" can be seen here.

► JT creates moving construction "A Clock Which Run's Backwards", a commentary on gun violence in the United States. See a short video of this work here.

► JT creates sculpture/assemblage "Border Wall Bricks", a commentary on the wall being built (at that time) across the southern border of the United States. See this work here.

► JT completes "The Oakwood Triptych" a 5 1/2 x 7 foot collage/painting celebrating The Oakwood Friend's School during the 1960s. The triptych is installed in the lobby of the school's theater.

► JT & Marsha's son Garret dies.

► Publication of First Edition of JT's book "The Amazing Carnival Barker".

► Publication of the expanded Second Edition of JT's book "The Amazing Carnival Barker".