Administrative Science Quarterly, Ithaca, NY: Graduate School of Business and Public Adminstration, Cornell University. June 1977. The cover of this scholarly publication features reproduction of the Talbot etching "Pig."

Art Now/ Chicago-Midwest Gallery Guide. Vol. 5. Kennelworth, NJ: Art Now, 1984. MW13. Contains a reproduction of Talbot's 1983 collage-assemblage "Temple."

"Artist Attacks 'No Child Left Behind' Act at Texas Conference." Delaware & Hudson Canvas Feb. 2007: 27. Feature article on Talbot's keynote presentation at the Texas Art Education Association 2006 Annual Conference.

ArtSpace Oct. 2008. Newspaper includes feature article on Jonathan Talbot and accompanying photographs

Audubon Artists 41st Annual Exhibition. New York: Audubon Artists, 1983. This exhibition catalog includes a reproduction of Talbot's painting "Reflections #2".

Bass, Ruth. "{Gimpel & Weitzenhoffer Gallery, New York; exhibit}." ARTnews 85 (1986): 153. Review with reproduction of Talbot's collage"Templum Americanum."

Begin, Aline. "Imaginaire Debordant...Inspirant!" Le Bulletin 21 April 2004 [Gatineau, P.Q. Canada]: A.

Bloomfield, Maureen. "Cut and Paste." The Artist's Magazine January/February 2008: 42-49. In addition to text, article contains reproductions of Talbot works "Orrery Patrin," "Andrea's Comet" and "Neo-Suprematist Patrin No. 5."

Brommer, Gerald. Collage Techniques. New York: Watson-Guptill, 1994. In addition to reproductions of three Talbot collages, this book contains an overview of Talbot's "collage without liquid adhesives" technique.

Bouchard, Claude. "Collages Imaginaires." Le Droit 17 April 2004 [Ottawa, Canada].

Bowman, J. Scott. "International Collages on Display at Beach Museum." The Kansas State Collegian 12 Sep. 2002.

Caparros, M. "Arrancan los Tallerers Internacionales de Arte de la Asociacion El Jardinico." El Faro 3 Aug. 2005 [Caravaca, Spain] : 13. Article detailing Talbot's workshop in Spain with accompanying photograph.

"Collage Conversation." Woodstock Times 30 Jan. 2003 [Woodstock, New York] : 34.

Creps, Bob, ed. Biographical Encycolpedia of American Painters, Sculptors & Engravers of the U.S. Land O'Lakes, FL: Dealer's Choice Books, Inc, 2002. Contains biography and signature examples

Dane, Barbara, and Irwin Silber. The Vietnam Songbook. New York: The Guardian, 1969. 90 Includes words and music to Jonathan Talbot's song "The Bride of American Town"

Davenport, R.J. Davenport's Art Reference and Price Guide. 1996.

Duncan, JJ. "Collage Arts Creates Life Metaphors From Range of Materials." The Kansas State Collegian 24 Oct. 2002.

Filler, Marion. "Jonathan Talbot Turns Gypsy Custom into Art." Daily Record: Fine Arts 22 Mar. 2002 [Morristown, New Jersey]: 17.

Forrest, Michael. "Jonathan Talbot: Social Awareness Through Art." Sussex County Voice 6 Nov. 1987 [Sussex County, New Jersery] : 18.

Gandsas, Alberto. Patagonia. Buenos Aires: Grupo Abierto Comunicaciones, 2003. Brief introduction by Jonathan Talbot.

Genacchio, Benjamin. "Piecing Things Together" The New York Times 18 Oct. 2008: 10. Review includes reproduction of Talbot's collage "The Bachelors Visit New York" and accompanying text.

Grosso, Michael. Millenium Myth. Quest Books, 1996. The cover of the 1996 paperback edition of this book features a reproduction of Talbot collage "Revelation."

Grosso, Michael. Soulmaking. Charlottesville, VA: Hampton Roads, 1997. The cover of the paperback edition of this book features a reproduction of the Talbot collage "Voyage."

Guardado, Pablo R. "Las lecciones del maestro Talbot." La Nueva España, Gijón, Asturias, España, 8 de julio de 2007. 

Hammel, Lisa. "This Menagerie Is a Very Quiet One." New York Times 29 Dec. 1975.

Harrison, Holly. Mixed-Media Collage. Beverly, MA: Quarry Books, 2007. 116-117 Contains a discussion of the evolution of Talbot's collage/painting "Pyrenees Patrin."

Hickey, Mary C. "Starting from Scratch." Times Herald Record, Middletown, NY, Etc. 3 Sep. 1979 : 3+ Photos and text related to Talbot's etching activities

"Internationally Known Collage Artist Jonathan Talbot at The Sharon Arts Center on Friday September 16th." The Amherst Citizen 13 Sep. 2005: 11. Article and photographs.

Jacobs, Trisha. "Collage Art: Mixing Up Soul Food." Peninsula Daily News 9 Apr. 2006: 7. Article feature Talbot and a photograph of himself and his painting

Jaques Cattell Press, ed Who's Who in American Art. 1976 and subsequent.

Johnson, Harald. Mastering Digital Printmaking.Cincinnati: Muska & Lipman, 2003.275, 292, 355 Talbot's machine-digital print The Gift is reproduced in this book which also includes a picture of "Pi Patrin."

"Jonathan Talbot: Painter, Printmaker and Collage Artist." Modern Collage Aug. 1998: 18-19. Feature article and cover art

"Jonathan Talbot Receives International Art Award." The Warwick Advertiser 11 Jan. 2002: 23.

"Jonathan Talbot; Virtuoso At Play." Ann Arbor Observer 1982: 54+.

Kaffan, Kolleen. "Jonathan Talbot: Portrait of an artist." Spectrum 20 Sept. 1990 [Sacred Heart Univerity, Fairfield, CT]. Discuses Talbot "Research and development" exhibition and includes reproduction of Talbot work "Endangered Species."

Kerouac, Jack. On The Road. Norwalk, CT: The Easton Press, 2001. Four Talbot collage/paintings illustrate this leather-bound commemorative edition of Kerouac's famous novel.

(continued at top of next column)

King, Serge Kahili. Mastering Your Hidden Self. Quest Books, 1994. The cover of the paperback edition features a reproduction of Talbot collage/construction "Cloister."

Leland, Nita. Confident Color. Cincinatti: North Light Books, 2008. 44-46 Contains reproductions of Talbot collage/paintings "Jam Session" and "Large NASCI Patrin."

Leland, Nita, and Virginia Lee Williams. Creative Collage Techniques. Cincinnati: North Light Books, 1994. Contains a reproduction of the Talbot collage "American Machine."

Lidov, Arthur. "Cover." The American Mercury Dec. 1947. The cover of this issue of The American Mercury, a now-defunct magazine founded by H. L. Mencken, consists of a portrait of Jonathan Talbot painted by Arthur Lidov.

Luby, Abby. "Collage Logic." Roll 10 Oct. 2008: 8-11. Contains reproduction of Talbot's collage "The Bachelors Visit New York" and accompanying text.

Martinez, Oscar. "El Jardinico Inicia Sus Cursos Con Las Ensenanzas de J. Talbot." El Faro Caravaca, Spain 7 Aug. 2006: 13. Article with photos describing collage workshop led by Jonathan Talbot.

Mohawk-Hudson Regional Art Exhibition. Albany, NY: Albany Institute of History and Art, 1981, Juror; Andre Emmerich. This exhibition catalog contains a reproduction of Talbot's painting "Waterfront Buildings-Troy, New York"

New Jersey Good Life Oct. 1991. Cover features reproduction of Talbot Collage/Construction "American Odyssey."

Patron's Supplement. New York: Associated American Artists, Summer/Fall 1975. This print catalog includes a reproduction of Talbot's etching "Pig" and related text.

Paysour, LaFleur. "Festival Brings Big Names to Uptown Charlotte." The Charlotte Observer 29 Apr. 1983: 1D+.

Petric, Faith. "The Folk Process." Sing Out! 40.3: 116. The Nov. / Dec. 1995 issue of this folk music magazine includes the lyrics to Talbot's song "I Dreamed I Saw Phil Ochs Last Night"(written to Earl Robinson's music)

Ross, Carolee, "Jonathan Talbot explores Marcel Duchamp at Flow of Art Gallery". The Hour. Norwalk, CT: 8, June 2008. Includes information about Talbot's work inspired by Duchamp.

Rothenberg, David. "Information Ecology." Parabola 25.1 (2000): 29-33. Includes a reproduction of Talbot collage "Revelation" as an illustration for an article

Schattschneider, Doris. Visions of Symmetry - Notebooks, Periodic Drawings, and Related Works of M. C. Escher. New York: W.H. Freeman, 1990. Contains a reproduction of Talbot's 1973 Escher-inspired lithograph "Seals Two."

Schnessel, S. Michael, Icart. New York: Clarkson N. Potter, Inc, 1976. Acknowledges Talbot's contribution of techical expertise

Schubert, Suzanne. "Community Element 'nourishes me and my art'." ArtSpace 8.2 (2009) [Middletown, NY] : 6. Text and photo of Talbot painting "Bermuda Soundings."

Sheridan, Sharon. "He'll stick with 'glueless' collage." Star Ledger 22 Jan. 1998 [Newark, NJ] : C1+. Full page + article disuicsses Talbot demonstrration at Millburn, NJLibrary.

Silber, Debra J. "Jonathan Talbot." Rev. of Research and Development, by Jonathan Talbot. The Bridgeport Post 23 Sept. 1990: D1+. Review of Talbot exhibition at Sacred Heart University. Contains pictures of Talbot collage-constructions "Temple" and "Endangered Species."

Slesin, Suzanne. "Art Lovers." O At Home Nov. 2005: 93, 97 Includes reproductions of two Talbot works; "Engine Room" and "Ad Priorem"

Streigh, Fred. "To His Modern Fans Sherlock is Still Worth a Close Look." Smithsonian 1986. The top photograph on page 66 shows Jonathan Talbot's etching "Silver Blaze"

Talbot, Jonathan, and Geoffrey Howard. The Artist's Marketing & Action Plan Workbook. Warwick, NY: Jonathan Talbot, 2005. Written with marketing expert Geoffery Howard, this workbook enables artists to create a plan for marketing their work.

Talbot, Jonathan. Collage: A New Approach. Warwick, NY: Jonathan Talbot, 1999. Technical manual outlining new collage techniques developed by Jonathan Talbot.

Talbot, Jonathan. The Concerns of the Non Urban Artist. 1982. The report of an ad hoc workshop which took place during the conference on The Business of Art and The Artist at the University of Maryland, College Park, Maryland, June 9-13, 1982.

Talbot, Jonathan. Connecticut Collage. Marlborough, CT: The Connecticut Gallery, 1989. Contains 19 short essays by Jonathan Talbot.

Talbot, Jonathan. "Isn't It Strange." Songs for Peace (1995): 6-7. The Winter 1995-96 issue of this folk music magazine includes an article about Jonathan Talbot and the music and lyrics to Talbot's song "Isn't It Strange?"

Talbot, Jonathan . New Jersey Music & Arts Oct. 1973: 27-28, 30-31. Every copy of the Ocotber, 1973 issue of this magazine contained an original (hand drawn on multiple aluminum plates and individually numbered on the verso) three color lithograph by Jonathan Talbot called "Seals 2."

Talbot, Jonathan. "Talbot's Keynote Speech." Contact: Newsletter of the Art Education Association of Indiana (2006): 10-11. Includes partial text of Talbot's 2005 keynote presentation to the 2005 annual convention of the AEAI

Touchon, Cecil. The Secret Life of Artists. Ontological Museum Publications, 2009. 53-54 Contains some Talbot reflections on archival concerns.

Tuttle, Susan. Exhibition 36. Cincinnati: North Light Books, 2008. 104-107, 156 Contains a Talbot essay on Playing Through One's Mistakes and a series of pictures showing the evolution of a small work called "Cometary Patrin."

Unterberger, Richie. White Light / White Heat. Berkeley, CA: Jawbone Press, 2009. 134 Contains an interview with Jonathan Talbot about his experiences opening for Nico & the Velvet Underground in 1967

Varet, Pierre Jean. L'Art du Collage à l'Aube du Vingt et Unième Siècle. Paris: Editions Artcolle, 2006. Contains a reproduction of Talbot collage "Large Planetary Patrin."

Varet, Pierre Jean. Les Téchniques de l'Art du Collage à l'Aube du Vingt et Unième Siècle. Paris: Editions Artcolle, 2007. Contains a reproduction of Talbot's collage/painting "Andrea's Comet".

Varet, Pierre Jean. L'art du Collage dans tous ses états. Plémet, France: Editions P.J. Varet, 2009. Contains a reproduction of Talbot's collage "The Bachelors Visit New York".

Ventura, Cristian. "El Centro Murciano de Arte Grafico ." Revistart 2008 [Barcelona, Spain] , 103 ed.: 61. Article referencing Talbot's workshop in Spain with accompanying photographs.

Warren, Peter. "An Explosion of Creativity in Warwick Art Circles." The Times Herald-Record 13 Mar. 1991 [Orange County, New York] : 3.