Artist's
Statement
These works
are the result of an unexpected and intimate encounter with a Marcel
Duchamp study for "La mariée mise à nu par
ses célibataires, même" (The Bride Stripped
Bare by her Bachelors, Even), often referred to, in English, as “The
Large Glass.”
When
Duchamp created "The Large Glass," he defined the occupations
of the various célibataires, represented by the “malic
molds,” as a cavalryman, a gendarme, a policeman, a waiter’s
assistant, a delivery boy, a servant, a priest, a stationmaster, and
an undertaker.
In
this series of collages the bachelors have been "unmolded"
and can be seen as real people from the late 19th and early 20th centuries,
the period during which they took first form in Duchamp’s mind.
It
took a while to find or create the images, thus the first variation
is titled “The Policeman, the Priest, and the Cavalryman await
their Companions.” By the third variation, “The Bachelors,”
I had acquired all the images and the "célibataires"
were ready to start their adventures.
The
series has taken on a life of its own and the adventures of the Bachelors
have only just begun. I expect to make many more variations in this
series and the new works will be added to this page. Happily, I do not
have to search for ideas as the characters themselves provide them.
-
Jonathan Talbot, 2008
The Duchamp
Study for the "Bachelors" portion of "La mariée
mise à nu par ses célibataires, même," the
inspiration for this series (click on image
to enlarge)
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1. "The Policeman, The Priest, and the Cavalryman await their Companions"
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2. "The
Arrival of the Gendarme and the Undertaker"
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3. "The
Bachelors"
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